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Until the time to start the proper wedding, the religious ceremony all the guests wait for the bride. But here there is another formality requested, the time for the wedding participants to enter in the church, the attention the groom deserves while waiting at the altar, the march of the groomsmen and bridesmaids too.
In defining words for this time it is called the processional wedding part. And as not to be a boring time, with the amplified solemn time effect, an accent of drama background music is selected.
Usually the priests impose many of their requests and refuse contemporary music, too loud or even recorded ones. The reasons? This is a sacred place and the respect shown towards the divinity is expressed in the religious dogmas with reference to the music: religious one, the choirs is the need. But how else can the grooms make their wedding be in a different way? How can they put their personal style imprint even at this wedding part? But modernism makes grooms consider trendy songs for wedding processional their need. Debating with priests it must be found a common ground. And what should these be about? For each one it may mean another thing but the base is the same: non traditional music type. It can be classic music, contemporary, modern one.
Giving concrete examples of trendy songs for wedding processional may be about Andrea Bocceli “Vivo per lei”, the peaceful, relaxing melody of “Clair de lune” by Claude Debussy or Sarah Brightman “A stranger in paradise”. What has to be motioned is that even though trying to change the style, the repertory of the traditional songs let’s not forget the wedding location, the God’s House. So the same decency has to be preserved. Plus that it is a solemn time not a party yet.