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With each and every step of the wedding the grooms have to create a proper decor background, sound and so no. Not that it is something imposed and a wedding wouldn’t be a possible event without them.
But these are just some methods to boost the effect. The guests will surely appropriate more the sound effect while the bride walks down the aisle. But nor when she and her groom exit from the church should be a skipped moment.
The wedding is correlated to endless love and fidelity. This life commitment is a round effect if you want; so like during the religious ceremony they both are united symbolically with a wed of flowers, so like the wedding rings are the whole event is. Not understanding the connection? The wedding starts with the song proper for the bride to appear. The same thing and concept applies for the exit time, now a song for both of them. Can the same entering song be for the exit time a suitable one? As how these two are different times and even in names this way is not quite a proper one. Wedding songs for recessional wedding part should differ from the ones for the processional time. The explication comes along with the persons involved: at the exit time the song should be a happy one, for the both of the grooms, while for the first part only the bride is the focal point when entering.
Now in concrete examples what one can choose as wedding songs for recessional? Some popular variants are about Mendelssohn’s bridal march from “Midsummer night’s dream”, Henry Purcell’s “Trumpet tune” or Beethoven’s “Ode to Joy” from “Ninth symphony”. For something with a non requested formality Queen “We are the champions” is a good idea.